
“Every Man His Own Publisher”: Extra-Illustration and the Dream of the Universal Library
Author(s) -
Gabrielle Dean
Publication year - 2014
Publication title -
textual cultures
Language(s) - English
Resource type - Journals
eISSN - 1933-7418
pISSN - 1559-2936
DOI - 10.14434/tcv8i1.5050
Subject(s) - ephemera , hobby , dream , reading (process) , publishing , art history , art , period (music) , world wide web , literature , computer science , visual arts , aesthetics , philosophy , linguistics , psychology , neuroscience
In the twenty-first century, the age-old dream of a universal library seems within reach at last, due to an expanding digital environment. But in fact, the publishing and reading practices we associate with Web 2.0 have some very old precedents. One such practice is Grangerization, a bibliophile hobby that originated in the late eighteenth century. In this period, and throughout the nineteenth century, private collectors inserted various forms of ephemera into their books: prints, letters, manuscripts, receipts, clippings. The books were usually rebound to accommodate the additional pages of tipped- and pasted-in material. The Grangerized or “extra-illustrated” book turned the linear text into a unique, multi-directional network of “links” to related texts, and recast the reader as the writer’s collaborator.