Open AccessWOMEN’S COMMODIFICATION ON TIKTOK: A SEMIOTIC STUDY OF “ELBOW STICKING' CHALLENGE
Author(s) -
Rully Rully,
Fitri Susiswani Isbandi,
Ardian Setio Utomo,
Ade Siti Khairiyah,
Wulan Apriani
Publication year - 2021
Publication title -
profetik
Language(s) - English
Resource type - Journals
eISSN - 2549-0168
pISSN - 1979-2522
DOI - 10.14421/pjk.v14i2.2383
Subject(s) - commodification , semiotics , meaning (existential) , social media , sociology , aesthetics , value (mathematics) , media studies , social semiotics , epistemology , art , political science , law , philosophy , computer science , machine learning , economics , market economy
The use of social media has grown commonplace in today's culture. Every social media user now has a place to call their own in the digital age. Tiktok is one of the most popular and distinctive social media platforms, and it frequently abuses women through its many 'challenges' for content such as elbow sticking challange. This study takes a non-positivistic approach to the phenomena that occur in the society with a critical interpretive approach. Observations done in TikTok activities and engaging in interactions with TikTok users to be able to understand and uncover the commodification practices of women that occur in TikTok. This study revealed how intertextual the commodification of women in Tiktok was using a critical method that leverages Julia Kristeva's post-modern feminist outlook as a conceptual framework. The findings of this study reveal that the body, women, and culture are interwoven and produce meaning, which overrides earlier meanings by establishing new meanings that exploit Tiktok users, particularly women, which is consistent with media evolution, which also influences value meaning.