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ON BABEL’S RUINS: THE A-HISTORICAL SOUNDINGS OF HARALD SZEEMANN’S EXPOSITORY MACHINE THROUGH THEMATIC EXHIBITIONS, QUESTIONED AUTHORSHIP, AND ARTISTS’ RE-INSTALLATIONS
Author(s) -
Virgilio Berardocco
Publication year - 2019
Publication title -
journal of global studies and contemporary art/revista de estudios globales y arte contemporáneo
Language(s) - English
Resource type - Journals
ISSN - 2013-8652
DOI - 10.1344/regac2019.1.07
Subject(s) - humanities , art , painting , art history , exhibition , philosophy

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