As imaxes dial�cticas dun contador de historias. A batalla ficcional entre a oralidade e a escrita

This article is an attempt to bring together two basic ideas. One the one hand, it presents both a succinct contextualization of the systematically linked literature of Angola and the works of Ondjaki, as well as a brief look at the process of establishing a differentiated Angolan literature. On the other hand, it will offer a hermeneutic reading of Quantas madrugadas tem a noite (2004). To this end, Walter Benjamin’s ‘der Erzähler’ (‘The Storyteller’) will act as the initial framework though which the friction in the novel between oral and the written will be approached