Open AccessPerspective as a way of information visualization in V. Yavorivsky's journalism
Author(s) -
Lidia Havaldzhy
Publication year - 2020
Publication title -
lìngvìstika
Language(s) - English
Resource type - Journals
ISSN - 2227-2631
DOI - 10.12958/2227-2631-2020-1-42-93-105
Subject(s) - creativity , theme (computing) , perspective (graphical) , period (music) , journalism , expression (computer science) , sociology , epistemology , opposition (politics) , connotation , politics , constructive , selection (genetic algorithm) , linguistics , aesthetics , media studies , psychology , social psychology , computer science , law , visual arts , political science , philosophy , art , process (computing) , artificial intelligence , programming language , operating system
The article analyzes the peculiarities of perspective expression in the journalistic works of V. Yavorivsky of the early, middle and mature period of creativity, reveals the features of the dynamics of the idiolect. Consideration of journalistic works of V. Yavorivsky early and mature period of creativity shows that the perspective as a means of visualization of information is a constant category, but the prospects of these periods of creativity of the Master of the word has its own characteristics, which is noticeable when choosing the themes of works, systematization of relevant information, selection of means of nomination of persons and events, represented by the connotation of the text. Worldview values, characteristic of the second half of the twentieth century, are transmitted through the prism of the author's vision or beliefs of the heroes of the essays. The means of expressing a point of view are direct or implicit direct speech, comparison or opposition of several points of view, their overlap, motivation of proper names, etc. Journalistic essays of the books „What kind of people are we?” (works of the mature period of creativity) are united by one macrotheme, although each time one of the problems of this theme is raised. The worldview perspective in these works is realized first of all by the structure of the political discourse itself, the publicist's polemic with the respondents, the authors of the letters. The category of point of view here is represented by the author's evidence, the selection of appropriate arguments, passionate emotional reflections, in which the narrator takes over the function of a commentator. The author expresses his thoughts with sincere confidence in the correctness of his beliefs, which he defends, seeking to „look the truth in the eye”. The status-role perspective is conditioned by the realities of the present and past life of Ukrainians, revealed in the powerful axiological nature of the text, which is often achieved by selecting accurate paraphrases. The situational perspective in these works is revealed primarily due to the change of participants in the discussion, quoting letters in which the contributors express their point of view.