z-logo
open-access-imgOpen Access
Implication and Omission in Ernest Hemingway’s (Hills Like White Elephants), Raymond Carver’s (Why Don’t you Dance), Richard Ford’s (Great Falls) and Bobbie Ann Mason’s (Shiloh)
Author(s) -
Messaouda Boudjerida
Publication year - 2019
Publication title -
al-ẖiṭāb
Language(s) - English
Resource type - Journals
eISSN - 2602-5310
pISSN - 1112-7082
DOI - 10.12816/0058313
Subject(s) - white (mutation) , dance , history , art history , art , environmental ethics , philosophy , literature , biology , biochemistry , gene

The content you want is available to Zendy users.

Already have an account? Click here to sign in.
Having issues? You can contact us here