cineasta e a cidade: Manoel de Oliveira e O Porto | Zendy

Anabela Branco de Oliveira | Zendy

AI Assistant Blog Pricing

Home ZAIA Blog

Open Access

cineasta e a cidade: Manoel de Oliveira e O Porto

Author(s) -

Anabela Branco de Oliveira

Publication year - 2014

Publication title -

studia iberystyczne

Language(s) - English

Resource type - Journals

eISSN - 2391-7636

pISSN - 2082-8594

DOI - 10.12797/si.13.2014.13.40

Subject(s) - character (mathematics) , art , humanities , architecture , art history , cartography , visual arts , geography , geometry , mathematics

THE FILM DIRECTOR AND THE CITY: MANOEL DE OLIVEIRA AND PORTO Manoel de Oliveira brings about a strong, inexplicable and a connection impossible to define to Porto. He casts, in Douro Faina Fluvial (1931), Aniki‑Bóbó (1942), O Pintor e a Cidade (1956), and Porto da minha Infância (2001) a special relationship between this city and the universe of movies. The Porto of Manoel de Oliveira becomes a filmic discourse, an aesthetic journey without boundaries between fiction and documentary. It’s a city established as the architecture of the film becoming the character, title, maximum space of architectural and cinematic reflection. It is a labyrinthine Porto of images, a city transformed by the multiple film cameras from a single Master.

The content you want is available to Zendy users.

Already have an account? Click here to sign in.

Having issues? You can contact us here

Accelerating Research