Gdy autorka staje się tłumaczką, a tłumaczka autorką

When an Author Becomes a Translator and a Translator Becomes anAuthor. Nicole Brossard’s Le désert mauve Translated by Susanne deLotbinière-Harwood The article aims to describe the space of translation understood as a spacefor dialogue and mutual influence on the example of a novel by Nicole Brossard, Quebec writer and feminist translator, entitled Le désert mauve (1987), and its English translation (Mauve Desert, 1990), by Susanne de Lotbinière-Harwood. The first part of Brossard’s novel was written by a fictional writer, while the second part is a translation of the first part, also in French. The “original” and its “translation” are separated by the description of a translation process by a fictional translator, showing primarily how the original is interpreted. Brossard’s novel is a literary illustration of a translation as a creative act that requires invasion to the original.The English translation of the novel by de Lotbinière-Harwood shows in practice the process of interpretation and invasion, as it is based on the idea of re-writing a literary text, so called “re-creation”, very present in the Canadian context.