Open AccessBLOWING UP THE NUCLEAR FAMILY: SHIRLEY JACKSON’S QUEER GIRLS IN POSTWAR US CULTURE
Author(s) -
Laura de la Parra Fernández
Publication year - 2021
Publication title -
revista de estudios norteamericanos
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.101
H-Index - 1
eISSN - 2253-8410
pISSN - 1133-309X
DOI - 10.12795/ren.2021.i25.02
Subject(s) - femininity , liminality , gender studies , queer , normative , sociology , nuclear family , identity (music) , space (punctuation) , ideal (ethics) , aesthetics , art , political science , anthropology , law , philosophy , linguistics
This paper intends to analyze the representation of girlhood as a liminal space in three novels by Shirley Jackson: The Bird’s Nest (1954), The Haunting of Hill House (1959) and We Have Always Lived in the Castle (1962). Bearing in mind how nuclear fears and national identity are configured around the ideal of a safe domestic space in US postwar culture, the paper explores cultural anxieties about teenage girls who refuse to conform to normative femininity, following Teresa de Lauretis’s conception of women’s coming-of-age as “consenting to femininity” (1984). I will argue that Jackson criticizes the rigid possibilities for women at this time, and I will show how her representations of deviant femininity refuse and subvert the discourse of the nuclear family and, therefore, of the nation.