Open AccessThe Oxford Marston and The Dutch Courtesan
Author(s) -
Martin Butler
Publication year - 2020
Publication title -
early theatre
Language(s) - English
Resource type - Journals
eISSN - 2293-7609
pISSN - 1206-9078
DOI - 10.12745/et.23.1.4172
Subject(s) - context (archaeology) , isolation (microbiology) , performance art , art , visual arts , media studies , sociology , history , art history , archaeology , microbiology and biotechnology , biology
This paper situates the play in the context of the ongoing Complete Works of John Marston, under preparation for Oxford University Press, the first such collected critical edition ever to have been created. It discusses the edition’s aims and working practices as well as the new picture of Marston we expect to emerge from it. Scholars now often encounter The Dutch Courtesan in isolation, as Marston’s single best-known and most-read play. This paper approaches the play in the context of Marston’s career and publication history as a whole, in addition to the textual and theatrical relationships which work on the edition is gradually coming to disclose.