Rape, Massacre, The Lucrece Tradition, and <i>Alarum for London</i>

This article explores the conflation of rhetorical and physical acts of rape and massacre in a range of early modern drama, culminating in a case study of the two phenomena in Alarum for London (1599). Rooting its analysis in the Lucrece myth, the essay demonstrates how prominent traditions of reading rape – as an attack on the soul, and as an attack on a city – provide a rubric through which Alarum can be understood. When enacted concomitantly, rape and massacre have the propensity to destroy body and soul, individual, and the wider society to which they belong.