Open AccessThe Realistic Fallacy, or: The Conception of Literary Narrative Fiction in Analytic Aesthetics
Author(s) -
Jukka Mikkonen
Publication year - 2009
Publication title -
studia philosophica estonica/studia philosophica estonica.
Language(s) - English
Resource type - Journals
eISSN - 2228-110X
pISSN - 1736-5899
DOI - 10.12697/spe.2009.2.1.01
Subject(s) - fallacy , narrative , fiction theory , sketch , literary fiction , epistemology , order (exchange) , philosophy , analytic philosophy , aesthetics , literature , sociology , literary criticism , art , contemporary philosophy , computer science , linguistics , algorithm , finance , economics
In this paper, my aim is to show that in Anglo-American analytic aesthetics, the conception of narrative fiction is in general realistic and that it derives from philosophical theories of fiction-making, the act of producing works of literary narrative fiction. I shall firstly broadly show the origins of the problem and illustrate how the so-called realistic fallacy – the view which maintains that fictions consist of propositions which represent the fictional world “as it is” – is committed through the history of philosophical approaches to literature in the analytic tradition. Secondly, I shall show how the fallacy that derives from the 20th Century philosophy of language manifests itself in contemporary analytic aesthetics, using Peter Lamarque and Stein Haugom Olsen’s influential and well-known Gricean make-believe theory of fiction as an example. Finally, I shall sketch how the prevailing Gricean make-believe theories should be modified in order to reach the literary-fictive use of language and to cover fictions broader than Doyle’s stories and works alike.