
Shakespeare in Theory and Practice
Author(s) -
Jonathan Locke Hart
Publication year - 2019
Publication title -
interlitteraria/interlitteraria.
Language(s) - English
Resource type - Journals
eISSN - 2228-4729
pISSN - 1406-0701
DOI - 10.12697/il.2019.24.1.4
Subject(s) - poetry , hamlet (protein complex) , criticism , literature , painting , theory of art , art , term (time) , philosophy , art criticism , aesthetics , visual arts , art history , performance art , physics , quantum mechanics
The article is about theory and practice in Shakespeare, but while he used the word “practice,” he never employed the term “theory.” After discussing practice a little, I shall examine how Shakespeare refers to poetry and poets, philosophy and philosophers with some brief connections with art, theatre, music, painting and mimesis. Shakespeare showed no inclination for criticism or theory in essays or non-fiction prose, but, as can be seen, for instance, in Hamlet’s instructions to the players, his work, poetry and plays, contain if not a theory of art, theatre and poetry at least some representations of and reflections on such matters by speakers, narrators and characters.