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Perceptual and Structural Implications of “Virtual” Music on the Web
Author(s) -
DUCKWORTH WILLIAM
Publication year - 2003
Publication title -
annals of the new york academy of sciences
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.712
H-Index - 248
eISSN - 1749-6632
pISSN - 0077-8923
DOI - 10.1196/annals.1284.036
Subject(s) - perception , process (computing) , computer science , multimedia , human–computer interaction , psychology , operating system , neuroscience
A bstract : The development of Cathedral, one of the first interactive works of music and art on the World Wide Web; the development of new virtual instruments, such as the PitchWeb, that allow listeners to participate actively and creatively; and the possibility that a new form of music is emerging are discussed. This new music, Virtual Music, is a new art form, within a new medium, producing a new type of interactive artistic experience, with the ability to draw in and engage its listeners in the creative process.

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