
Naming and a Black Woman's Aesthetic
Author(s) -
Frederick M. Burelbach
Publication year - 1993
Publication title -
names
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.2
H-Index - 12
eISSN - 1756-2279
pISSN - 0027-7738
DOI - 10.1179/nam.1993.41.4.248
Subject(s) - white (mutation) , art , literature , black power , power (physics) , history , art history , politics , law , biochemistry , chemistry , gene , physics , quantum mechanics , political science
Unlike that of most modern and post-modern writers, the fiction of Zora Neale Hurston and Alice Walker lacks “meaningful names.” This is contrary to expectations; we would expect names, like those in the fiction of Gloria Naylor, Toni Morrison, and Toni Cade Bambara, that either claim black or matrilinear power or protest against black women's double unempowerment in a white, patriarchal society. However, opaque names in the fiction of Hurston and Walker may be seen as resisting colonization and/or penetration by a critical analysis that appropriates or transfixes their meanings by a white, patriarchal methodology.