Photography Interrupted

As the possibilities of hypermodal inquiry intensify against the boundaries of qualitative research, a hypermodal assemblage performs an unfolding–refolding of layers within the space of Deleuzian thought. By exploring a literary question asked by F. Scott Fitzgerald and later repeated by Deleuze, a Deleuzian lens transports the ontologically real into the realm of the postmodern, expanding alternative conceptualizations of the conventional question, “What happened?” Here, layered text, images, and sound flatten into a hypermodal intensity of passageways through poststructural philosophy, literature, and visual art. By exploring hypermodal reading and writing practices, this assemblage reimagines prohibitive thresholds within qualitative inquiry.