A Boyfriend to Die For: Edward Cullen as Compensated Psychopath in Stephanie Meyer’s Twilight | Zendy

Debra Merskin | Zendy

AI Assistant Blog Pricing

Home ZAIA Blog

Open Access

A Boyfriend to Die For: Edward Cullen as Compensated Psychopath in Stephanie Meyer’s Twilight

Author(s) -

Debra Merskin

Publication year - 2011

Publication title -

journal of communication inquiry

Language(s) - English

Resource type - Journals

SCImago Journal Rank - 0.477

H-Index - 31

eISSN - 1552-4612

pISSN - 0196-8599

DOI - 10.1177/0196859911402992

Subject(s) - vampire , idealization , character (mathematics) , psychoanalysis , bella , order (exchange) , twilight , psychic , representation (politics) , sociology , psychology , literature , law , politics , art , medicine , physics , geometry , mathematics , alternative medicine , finance , pathology , quantum mechanics , astronomy , political science , nuclear physics , economics

This article is an analysis of the teen-targeted vampire novel Twilight. The series and related merchandise have been a runaway financial success. Illustrative quotes from Twilight are presented according to Guggenbühl-Craig’s concept of the “compensated psychopath” (CP)—an individual who approaches the psychological extreme of psychopathy but is able to pass for functional in society. The author argues the lead male character Edward Cullen is a CP and that the representation is problematic. The book’s main female character, Bella Swan, becomes completely dependent on Edward, desires him in part because he seems unattainable, and is willing to die and live a life of predation in order to be with him. The largely uncriticized idealization of Edward as top boyfriend material flies under the radar of contemporary concern for girls’ psychic and physical well-being

The content you want is available to Zendy users.

Already have an account? Click here to sign in.

Having issues? You can contact us here

Accelerating Research