Kategoria narodowości w recepcji twórczości Fryderyka Chopina

The Category of Nationality in the Reception of Frederic Chopin’s MusicThe article outlines general tendencies and prevailing notions adopted in the interpretation of music by Fre­deric Chopin (1810–1849) in the context of its acclaimed Polishness. Initiated already in the early nineteenth century – during the composer’s life – the attitude towards his music as national heritage continues until today, creating a wide panorama of different interpretations and reinterpretations. The article presents the category of nationality in the reception of Frederic Chopin’s music by both Polish and foreign researchers.