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Senses of H uma N ature on F lorida's S ilver R iver: Evocative Ethnography to Craft Place
Author(s) -
ConchaHolmes Amanda
Publication year - 2015
Publication title -
visual anthropology review
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.346
H-Index - 18
eISSN - 1548-7458
pISSN - 1058-7187
DOI - 10.1111/var.12063
Subject(s) - narrative , soundscape , embodied cognition , craft , realm , ethnography , privilege (computing) , aesthetics , experiential learning , sociology , visual arts , epistemology , art , anthropology , history , literature , computer science , philosophy , pedagogy , sound (geography) , computer security , archaeology , geomorphology , geology
The spaces where humans, plants, and animals intermingle are rich junctures of mobility, sensuality, and impressions that together evoke a sense of place. Visual anthropology can help interpret these humaNature events—where dichotomies and divisions are blurred, and lived experiences of multispecies mingling are brought to the fore through emerging practices that apply experiential and experimental devices. Attending to emotional textures of intimacy, soundscapes of multiple species, and embodied, sensuous ways of knowing that do not privilege solely the agency of human actors, nor rely primarily on a linear narrative and didactic logic, the academic‐artistic endeavor that I discuss in this article—and demonstrate in its accompanying short video, S enses of S ilver R iver— is aimed at bringing feminist, decolonial ways of knowing the world to the forefront (cf. C ollins; H arrison; T rinh). Toward this effort, I propose a methodological intervention that I call evocative ethnography , which favors a sensorial realm to explore, interpret, and share a sense of place.