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An Ethos of Affirmative Laughter in Nietzsche’s Zarathustra
Author(s) -
Hurst Andrea
Publication year - 2020
Publication title -
the southern journal of philosophy
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.281
H-Index - 21
eISSN - 2041-6962
pISSN - 0038-4283
DOI - 10.1111/sjp.12392
Subject(s) - zoroaster , laughter , ethos , epistemology , philosophy , aesthetics , literature , social psychology , psychology , art , linguistics
In Thus Spoke Zarathustra (2006), Nietzsche presents Zarathustra as a sage and parodic prophet, who acquires and offers insight over the narrated journey of his spiritual development. Nietzsche’s conception of Zarathustra as a gift (to “all and none”) endorses learning as the kind of emulation condensed into Zarathustra’s complex formulation: rather than “corpses that I carry with me wherever I want . . . I need living companions who follow me because they want to follow themselves—wherever I want.” Thus I aim, firstly, to follow the text closely to see what is given. However, noting that Zarathustra is deeply imbued with figures of laughter, I also impose an interpretation. “Repeating differently,” as demanded by Zarathustra, I outline a practicable, spiral‐shaped “learning curve” of traversal and return to various “shades of laughter,” advancing from the worst laughters to “ golden laughter,” which embraces complexity. This represents what it means to laugh well. In so doing, I hope to demonstrate that the complex ethos of affirmative laughter in Zarathustra remains strikingly pertinent for a contemporary era urgently tasked with embracing complexity.