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Nation and Vampiric Narration in Aleksey Tolstoy's “The Family of the Vourdalak”
Author(s) -
ERMAN IRINA
Publication year - 2020
Publication title -
the russian review
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.136
H-Index - 24
eISSN - 1467-9434
pISSN - 0036-0341
DOI - 10.1111/russ.12254
Subject(s) - narrative , literature , vampire , context (archaeology) , appropriation , power (physics) , imitation , identity (music) , russian literature , history , sociology , aesthetics , art , philosophy , linguistics , psychology , social psychology , physics , archaeology , quantum mechanics
In this article, I examine the narrative and intertextual complexity of A. K. Tolstoy's “The Family of the Vourdalak,” while taking note of Tolstoy's extensive historical references and thus situating Tolstoy's vampire story in its literary and historical context. I argue that Tolstoy's emphatic historical references point to the story's central focus on Russia's relationship with Western Europe and the concomitant Russian anxieties about national identity and literary imitation. By putting forward the concept of vampiric narration to explain Tolstoy's mode of undermining his West European narrator's control, this article demonstrates the way this story comments on, and ultimately subverts, the discourse about imitation and influence that infiltrated Russian letters from West European constructs about its East. Ultimately, Tolstoy's “The Family of the Vourdalak” offers a meditation on the power of parody and creative appropriation that anticipates important literary‐philosophical concepts that emerge in Russia in the second half of the nineteenth century.