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Caricatures, Myths, and White Lies
Author(s) -
Walsh Kirsten,
Currie Adrian
Publication year - 2015
Publication title -
metaphilosophy
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.475
H-Index - 35
eISSN - 1467-9973
pISSN - 0026-1068
DOI - 10.1111/meta.12139
Subject(s) - mythology , analogy , empiricism , epistemology , period (music) , white (mutation) , sociology , philosophy , aesthetics , biochemistry , chemistry , gene , theology
Pedagogical situations require white lies: in teaching philosophy we make decisions about what to omit, what to emphasise, and what to distort. This article considers when it is permissible to distort the historical record, arguing for a tempered respect for the historical facts. It focuses on the rationalist/empiricist distinction, which still frames most undergraduate early modern courses despite failing to capture the intellectual history of that period. It draws an analogy with M ichael S trevens's view on idealisation in causal explanation to distinguish between myths and caricatures . Myths are distortions of the historical record that undermine students' understanding of the past, despite having other pedagogical benefits (being illuminative of some other period, or helping uptake of philosophical skills and methods). Caricatures are distortions that either increase or are indifferent to understanding of the past. Mythmaking, the article argues, is unjustified.

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