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The Politics of Privacy and the Renaissance Public Stage
Author(s) -
Price Eoin
Publication year - 2015
Publication title -
literature compass
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.158
H-Index - 4
ISSN - 1741-4113
DOI - 10.1111/lic3.12243
Subject(s) - drama , publicity , the renaissance , politics , tragedy (event) , public sphere , literature , sociology , political science , law , media studies , art , art history
This article examines the politics of privacy and the public drama of the English Renaissance commercial stage. It surveys some recent critical approaches towards the study of privacy and politics including analyses of a supposed early modern public sphere. The article then attends to studies focusing on Renaissance drama and urges that the study of political privacy be extended beyond domesticity. The essay contends that a wider examination of the corpus of public drama in the English Renaissance is necessary. Shakespeare's plays often take centre stage in critical discussions, but complex concepts like privacy and publicity ought to be explored in reference to the diverse range of plays written for the Renaissance theatres. To illustrate the benefits of exploring the wider Renaissance corpus, the article ends by discussing politics and privacy in the neglected tragedy Soliman and Perseda .