What Could It Mean to Say That Today's Stand‐Up Audiences Are Too Sensitive?

Contemporary comedy audiences are accused by some comedians of being too morally sensitive to appreciate humor. To get closer to an answer, I will first briefly present the argument over audience sensitivity as found in the nonphilosophical literature. Second, I then turn to the philosophical literature and begin from the idea that “funny” is a response‐dependent property. I present a criticism of this response‐dependence account of “funny” based in the claim that funniness is not determined by what normal audiences actually laugh at, but by what merits laughter. Third, I argue that excessive or deficient moral sensitivity distorts audience receptivity to humor. Fourth, I turn to candidates for ideally sensitive audiences. I conclude by returning to the particular cases of supposed oversensitivity or undersensitivity to jokes to see how we might judge them.