In Advance of the Broken Theory: Philosophy and Contemporary Art
Author(s) -
IRVIN SHERRI,
DODD JULIAN
Publication year - 2017
Publication title -
the journal of aesthetics and art criticism
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.553
H-Index - 32
eISSN - 1540-6245
pISSN - 0021-8529
DOI - 10.1111/jaac.12412
Subject(s) - contemporary art , period (music) , focus (optics) , ontology , art , art methodology , theory of art , aesthetics , visual arts , epistemology , philosophy , art history , performance art , physics , optics
We discuss how analysis of contemporary artworks has shaped philosophical theories about the concept of art, the ontology of art, and artistic media. The rapid expansion, during the contemporary period, of the kinds of things that can count as artworks has prompted a shift toward procedural definitions, which focus on how artworks are selected, and away from definitions that focus exclusively on artworks’ features or effects. Some contemporary artworks challenge the traditional art–ontological dichotomy between physical particulars and repeatable entities whose occurrences are physical particulars. And nontraditional techniques and materials employed in contemporary art violate the boundaries of conventional media, prompting a rethinking of what artistic medium might be.
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