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Absolute pitch: A case study
Author(s) -
Ver Philip E.
Publication year - 1977
Publication title -
british journal of psychology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.536
H-Index - 92
eISSN - 2044-8295
pISSN - 0007-1269
DOI - 10.1111/j.2044-8295.1977.tb01619.x
Subject(s) - semitone , chord (peer to peer) , relative pitch , absolute pitch , psychology , audiology , musical tone , pitch (music) , tone (literature) , musical , duration (music) , perception , acoustics , linguistics , computer science , neuroscience , literature , philosophy , medicine , art , distributed computing , physics
The auditory skill known as ‘absolute pitch’ is discussed, and it is shown that this differs greatly in accuracy of identification or reproduction of musical tones from ordinary discrimination of ‘tonal height’, which is to some extent trainable. The present writer possessed absolute pitch for almost any tone or chord over the normal musical range, from about the age of 17 to 52. He then started to hear all music one semitone too high, and now at the age of 71 it is heard a full tone above the true pitch. Tests were carried out under controlled conditions, in which 68 to 95 per cent of notes were identified as one semitone or one tone higher than they should be. Changes with ageing seem more likely to occur in the elasticity of the basilar membrane mechanisms than in the long‐term memory which is used for aural analysis of complex sounds. Thus this experience supports the view that some resolution of complex sounds takes place at the peripheral sense organ, and this provides information which can be incorrect, for interpretation by the cortical centres.