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The Texture of Events and the Stuff of Dreams: Jean Rouch at the Heart of Film and Anthropology
Author(s) -
Mortimer Lorraine
Publication year - 2007
Publication title -
the australian journal of anthropology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.245
H-Index - 25
eISSN - 1757-6547
pISSN - 1035-8811
DOI - 10.1111/j.1835-9310.2007.tb00095.x
Subject(s) - filmmaking , fantasy , dream , colonialism , movie theater , ethnography , world war ii , visual arts , sociology , paradise , art , anthropology , media studies , art history , literature , history , archaeology , psychology , neuroscience
Too little known in the English‐speaking world, Jean Rouch died in 2004, leaving a prolific body of work. Influenced by the surrealists, by dance, cinema and music, his ‘shared anthropology’ and filmmaking began when he was an engineer in colonial West Africa during World War II—through friendship with African public works employees and revolt over the working and living conditions of the people forced to labour. Rouch saw his engineering, anthropology and filmmaking as creating with the concrete, ‘building bridges’. He did not renounce the ‘rational’, but wanted to supplement and broaden it with other ways of searching and knowing, always concerned with the relationship of the concrete material to the spiritual, dream and fantasy—working in the imaginative place where art meets science. This article discusses Rouch's ciné‐ethnography, focusing on a few of the many films he made.