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Is Rukun Dead? Ethnographic Interpretations of Social Change and Javanese Culture
Author(s) -
Hawkins Mary
Publication year - 1996
Publication title -
the australian journal of anthropology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.245
H-Index - 25
eISSN - 1757-6547
pISSN - 1035-8811
DOI - 10.1111/j.1835-9310.1996.tb00329.x
Subject(s) - egalitarianism , ideology , sociology , harmony (color) , ethnography , helpfulness , aesthetics , anthropology , social psychology , law , politics , psychology , philosophy , political science , art , visual arts
Within the ethnography of Indonesia in general and Java in particular, the Javanese notion of rukun , the appearance of harmony and helpfulness, has frequently been interpreted as referring not only to social harmony, but also to economic egalitarianism. Hence ‘traditional’ Javanese economic practices such as open harvests, the distribution of harvest shares and the use of the finger‐knife in rice harvesting have been seen as explicable by reference to rukun. Changes in harvesting practices with the introduction of ‘modern’ techniques, such as the use of contract labourers, have been depicted as signalling the death of rukun , both as an economic practice and as a cultural value. This article argues that such a view of social change in Java is theoretically and empirically flawed. Rukun is not a practice but rather a central ideological concept through which Javanese contextualise and apprehend their lives, their aspirations, their motivations and their social relations. In this sense, the ‘traditional’ notion of rukun is equally applicable to contemporary Java, and contemporary Javanese are just as likely to interpret the ‘modern’ world in terms of rukun.

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