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Social Movement Scenes: Place‐Based Politics and Everyday Resistance
Author(s) -
Creasap Kimberly
Publication year - 2012
Publication title -
sociology compass
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.782
H-Index - 31
ISSN - 1751-9020
DOI - 10.1111/j.1751-9020.2011.00441.x
Subject(s) - sociology , resistance (ecology) , politics , everyday life , movement (music) , identity (music) , social movement , context (archaeology) , aesthetics , set (abstract data type) , media studies , epistemology , law , history , political science , computer science , ecology , biology , programming language , philosophy , archaeology
Sociologists Darcy Leach and Sebastian Haunss coined the term “social movement scene” to refer to people “who share a common identity and a common set of subcultural or countercultural beliefs, values, norms” and the network of physical places they frequent. Leach and Haunss explain the numerous ways in which scenes can benefit social movements (e.g. as pools of mobilization or as places for cultural experimentation) and that scenes are places where resistance happens. I propose that thinking of a scene as a process is more useful than thinking of it as a stable context where political activity happens. Scenes are the products of urban protests, such as squatting; rituals, such as protest and music; and the activities of everyday life. Drawing on research from sociologists, geographers, historians, and cultural studies scholars, I discuss social movement scenes on both the political left and right in terms of their spatial, symbolic, and relational dimensions.