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Practiced musical style shapes auditory skills
Author(s) -
Vuust Peter,
Brattico Elvira,
Seppänen Miia,
Näätänen Risto,
Tervaniemi Mari
Publication year - 2012
Publication title -
annals of the new york academy of sciences
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.712
H-Index - 248
eISSN - 1749-6632
pISSN - 0077-8923
DOI - 10.1111/j.1749-6632.2011.06409.x
Subject(s) - mismatch negativity , jazz , psychology , perception , timbre , violin musical styles , musical , cognitive psychology , auditory perception , audiology , context (archaeology) , acoustics , electroencephalography , neuroscience , art , medicine , paleontology , physics , visual arts , biology
Musicians’ processing of sounds depends highly on instrument, performance practice, and level of expertise. Here, we measured the mismatch negativity (MMN), a preattentive brain response, to six types of musical feature change in musicians playing three distinct styles of music (classical, jazz, and rock/pop) and in nonmusicians using a novel, fast, and musical sounding multifeature MMN paradigm. We found MMN to all six deviants, showing that MMN paradigms can be adapted to resemble a musical context. Furthermore, we found that jazz musicians had larger MMN amplitude than all other experimental groups across all sound features, indicating greater overall sensitivity to auditory outliers. Furthermore, we observed a tendency toward shorter latency of the MMN to all feature changes in jazz musicians compared to band musicians. These findings indicate that the characteristics of the style of music played by musicians influence their perceptual skills and the brain processing of sound features embedded in music.