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Subjective Appraisal of Music
Author(s) -
Brattico Elvira,
Jacobsen Thomas
Publication year - 2009
Publication title -
annals of the new york academy of sciences
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.712
H-Index - 248
eISSN - 1749-6632
pISSN - 0077-8923
DOI - 10.1111/j.1749-6632.2009.04843.x
Subject(s) - psychology , music and emotion , active listening , cognitive psychology , music psychology , personality , cognition , context (archaeology) , musical , focus (optics) , sociocultural evolution , musicality , music education , social psychology , music history , communication , pedagogy , paleontology , art , physics , neuroscience , sociology , anthropology , optics , visual arts , biology
In the neurosciences of music, a consensus on the nature of affective states during music listening has not been reached. What is undeniable is that subjective affective states can be triggered by various and even opposite musical events. Here we review the few recent studies on the neural determinants of subjective affective processes of music, contrasted with early automatic neural processes linked to the objective universal properties of music. In particular, we focus on the evaluative judgments of music by subjects according to its aesthetic and structural values, on music‐specific emotions felt by listeners, and on conscious liking. We then discuss and seek to stimulate further research on the interplay between the emotional attributes of music and the subjective cognitive, psychological, and biographic factors, such as personality traits and cognitive strategies of listening. We finally draw the neuroscientist's attention to the sociocultural context as a relevant variable to study when considering music as an aesthetic domain.