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Musicians—Same or Different?
Author(s) -
Tervaniemi Mari
Publication year - 2009
Publication title -
annals of the new york academy of sciences
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.712
H-Index - 248
eISSN - 1749-6632
pISSN - 0077-8923
DOI - 10.1111/j.1749-6632.2009.04591.x
Subject(s) - musical , set (abstract data type) , neurocognitive , psychology , perception , diversity (politics) , cognitive psychology , style (visual arts) , music perception , cognition , music psychology , cognitive science , computer science , visual arts , art , sociology , neuroscience , anthropology , programming language
In the neuroscience of music, musicians have traditionally been treated as a unified group, as if the demands set by their musical activities would be more or less equal in terms of perceptual, cognitive, and motor functions. However, obviously, their musical preferences differentiate them to a higher degree, for instance, in terms of the instrument they choose and the music genre they are mostly engaged with as well as their practicing style. This diversity in musicians’ profiles has been recently taken into account in several empirical endeavors. The present contribution will review the evidence available about the various neurocognitive profiles these different kinds of musicians display.