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Pulse and Meter as Neural Resonance
Author(s) -
Large Edward W.,
Snyder Joel S.
Publication year - 2009
Publication title -
annals of the new york academy of sciences
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.712
H-Index - 248
eISSN - 1749-6632
pISSN - 0077-8923
DOI - 10.1111/j.1749-6632.2009.04550.x
Subject(s) - rhythm , perception , pulse (music) , neuroscience , psychology , neural correlates of consciousness , auditory perception , communication , cognitive psychology , physics , acoustics , cognition , optics , detector
The experience of musical rhythm is a remarkable psychophysical phenomenon, in part because the perception of periodicities, namely pulse and meter, arise from stimuli that are not periodic. One possible function of such a transformation is to enable synchronization between individuals through perception of a common abstract temporal structure (e.g., during music performance). Thus, understanding the brain processes that underlie rhythm perception is fundamental to explaining musical behavior. Here, we propose that neural resonance provides an excellent account of many aspects of human rhythm perception. Our framework is consistent with recent brain‐imaging studies showing neural correlates of rhythm perception in high‐frequency oscillatory activity, and leads to the hypothesis that perception of pulse and meter result from rhythmic bursts of high‐frequency neural activity in response to musical rhythms. High‐frequency bursts of activity may enable communication between neural areas, such as auditory and motor cortices, during rhythm perception and production.

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