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Salted with Fire. Biblical Allusions, Heraclitus and Judgement by Fire in Julio Cortázar’s ‘All Fires the Fire’
Author(s) -
Monballieu Aagje,
Praet Danny,
Janse Mark
Publication year - 2011
Publication title -
orbis litterarum
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.109
H-Index - 8
eISSN - 1600-0730
pISSN - 0105-7510
DOI - 10.1111/j.1600-0730.2011.01023.x
Subject(s) - literature , philosophy , judgement , narrative , style (visual arts) , revelation , art , epistemology
Julio Cortázar was extremely well read in ancient literature and philosophy. He collected editions and translations of Heraclitus and based the short story ‘Todos los fuegos el fuego’ (‘All Fires the Fire’) on his philosophy in which Fire steered the Universe. The enigmatic ‘obscure’ style of the Ephesian philosopher, his use of riddles and dark metaphors, his philosophy of language, and his philosophy of time (eternal recurrence) all fascinated Cortázar. He knew the Stoics ascribed the concept of ecpyrosis , final conflagration, to Heraclitus and he knew these ideas influenced Christian apocalyptic imagery and eschatological teachings. We argue that the metaphors and the experimental narrative of ‘All Fires the Fire’ (merging a modern story and a story set in Roman Antiquity, both ending in a final conflagration) are inspired by Heraclitus and by the Bible. This paper explores the interaction between the use Cortázar made of Heraclitus and the Christian traditions: the function of the biblical allusions (to Matthew 5:13; Revelation 22) he inserted in the story, to early Christian symbolism (the fish), and to an ancient Christian numerical riddle (888) on the name of Jesus taken from the Sibylline Oracles . In this way we hope to clarify his view of the reader as an intellectual accomplice of the author. 1