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Telling Tales – Narrative Patterns in Rimbaud’s ‘Conte’, ‘Royauté’ and ‘Aube’. ‘Une belle gloire d’artiste et de conteur emportée!’
Author(s) -
Macklin Gerry
Publication year - 2011
Publication title -
orbis litterarum
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.109
H-Index - 8
eISSN - 1600-0730
pISSN - 0105-7510
DOI - 10.1111/j.1600-0730.2010.01006.x
Subject(s) - poetry , literature , narrative , context (archaeology) , art , reading (process) , order (exchange) , philosophy , linguistics , history , archaeology , finance , economics
In this paper I seek to examine three poems from Rimbaud’s Illuminations within the context of the poet’s well‐advertised predilection for the tale and fairy tale. Thus I seek to analyse ‘Conte’, ‘Aube’ and ‘Royauté’ as examples of how the poet begins from the notion of the fairy tale as a genre and proceeds to compose prose poems, which both imitate and deviate from the norms and protocols of this parent genre. Essentially, I offer close reading of each of the texts in order to illustrate key aspects of their structure and vocabulary and in the process I highlight what I consider to be essential elements of the Rimbaldian prose poem. I have referred from time to time to leading Rimbaldian scholars whose work has also looked at this or related areas of the poet’s writing.

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