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Reflections of an Ethnographic Filmmaker‐Maker: An Interview with Paul Henley, Director of the Granada Centre for Visual Anthropology, University of Manchester
Author(s) -
FLORES CARLOS Y.
Publication year - 2009
Publication title -
american anthropologist
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.51
H-Index - 85
eISSN - 1548-1433
pISSN - 0002-7294
DOI - 10.1111/j.1548-1433.2009.01080_1.x
Subject(s) - filmmaking , ethnography , visual anthropology , film director , digital anthropology , anthropology , sociology , visual arts , media studies , art history , art , anthropology of art , performance art , movie theater , contemporary art
Two decades ago the Granada Centre for Visual Anthropology (GCVA) at the University of Manchester, U.K., was created. Since then it has become one of the most acclaimed postgraduate visual anthropology schools in the world, providing a space for theoretical debate and training in ethnographic filmmaking techniques. Conceived originally as a master's program under the sponsorship of Granada Television and the University of Manchester, it has now extended training to the Ph.D. level to students from around the world. In this interview, Professor Paul Henley, GCVA‘s director since its inception, reflects on the last 20 years of the Granada Centre, ethnographic filmmaking, the state of the art in theory and practice in visual anthropology, and new possibilities and challenges for the future. [Keywords: visual anthropology, ethnographic filmmaking, documentary, Granada Centre for Visual Anthropology]