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“Whatever (Neck Roll, Eye Roll, Teeth Suck)”: The Situated Coproduction of Social Categories and Identities through Stancetaking and Transmodal Stylization
Author(s) -
Goodwin Marjorie Harness,
Alim H. Samy
Publication year - 2010
Publication title -
journal of linguistic anthropology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.463
H-Index - 49
eISSN - 1548-1395
pISSN - 1055-1360
DOI - 10.1111/j.1548-1395.2010.01056.x
Subject(s) - coproduction , white (mutation) , identity (music) , girl , gender studies , psychology , embodied cognition , gesture , sociology , social identity theory , style (visual arts) , situated , social psychology , social group , visual arts , developmental psychology , aesthetics , linguistics , art , social science , biochemistry , chemistry , philosophy , artificial intelligence , computer science , gene
This article examines the argumentative talk of a preadolescent girls' peer group demonstrating both the co‐construction of microinteractional identities as well as the coproduction of macro‐social identity categories, such as race, class, and gender. Activities of social aggression are performed through embodied styling and stancetaking in the midst of oppositional moves towards a “tagalong” girl. Through transmodal stylization girls openly mock an African American working‐class girl using talk associated with wealthy white “Valley Girls,” while simultaneously producing gestures associated with working‐class black “Ghetto Girls.” Through the use of different communicative modalities girls simultaneously index multiple culturally salient representations. [stance, style, peer group, conflict talk, identity]