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Saying Goodbye to Friends : Fan Culture as Lived Experience
Author(s) -
TODD ANNE MARIE
Publication year - 2011
Publication title -
the journal of popular culture
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.238
H-Index - 24
eISSN - 1540-5931
pISSN - 0022-3840
DOI - 10.1111/j.1540-5931.2011.00866.x
Subject(s) - postmodernism , popular culture , media studies , state (computer science) , sociology , citation , art history , history , art , literature , law , political science , algorithm , computer science
The series finale for NBC’s sitcom Friends was a media event, a two-hour broadcast promoted for months, and immediately followed by cast appearances on late night comedy shows and the next morning’s news shows. The show’s popularity demonstrated by fan response to the last episode positions the online and broadcast media discourse surrounding the finale as a rich cultural text for examining the influence of the modern sitcom on fans’ cultural identities and social communities. The Friends broadcast finale taken together with the online discussion of the show creates a site for the production and consumption of fan culture in three ways. First, the self-referential series finale was a significant media event, which framed the finale as part of fans’ real life experience. Second, fan accoutrement articulates a sense of place that is not just projected into viewers’ living rooms, but into their broader lives. Third, the show’s fictional characters, are portrayed as real friends, and become important personae in fans’ social discourse. The Friends finale is fan text, one that conflates the distinction between real life and the small screen in ways that have implications for broader television criticism