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The Invisible Woman: The Case of the Female Playwright in German Literature 1
Author(s) -
Novak Sigrid Scholtz
Publication year - 1972
Publication title -
journal of social issues
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.618
H-Index - 122
eISSN - 1540-4560
pISSN - 0022-4537
DOI - 10.1111/j.1540-4560.1972.tb00017.x
Subject(s) - german , drama , prejudice (legal term) , point (geometry) , literature , psychology , history , gender studies , social psychology , art , sociology , mathematics , geometry , archaeology
Literary historians maintain that women have never contributed significantly to the German drama. Facts, however, point clearly to the opposite. Indeed, the first known German dramatist (10th century) was a woman! Two major causes for the lack of historic recognition are: (a) prejudice that women are incapable of good dramatic production, (b) underrating of plays because professional critics —traditionally men — have used male psychology as the criterion for judging female characters in plays by women. A revaluation of women's contributions to drama is imperative.