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Representations of Apartheid and Resistance in Documentary Film
Author(s) -
MoyerDuncan Cara
Publication year - 2012
Publication title -
history compass
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.121
H-Index - 1
ISSN - 1478-0542
DOI - 10.1111/j.1478-0542.2012.00830.x
Subject(s) - resistance (ecology) , movie theater , documentary film , theme (computing) , face (sociological concept) , politics , gender studies , political science , history , media studies , sociology , law , social science , art history , ecology , biology , computer science , operating system
Although there has been a surge of interest in South African cinema studies since the end of apartheid, relatively little has been written on documentary film and apartheid era resistance. During the apartheid era, documentary film was used to capture both the atrocities of apartheid and resistance to it. These films not only created a historical record of events in South Africa, but they also became important political tools in mobilizing support against the apartheid regime. In the post‐apartheid era, the anti‐apartheid movement remains a popular theme in documentary film, serving as a site for reflecting on and reclaiming history. This article provides an overview of apartheid and resistance in documentary films produced both during and after apartheid, and suggests how these films can broaden our understanding of South African history and be used as guideposts for addressing some of the challenges that face South Africa today.