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Cultural Hegemony of Singapore among ASEAN Countries: Globalization and Cultural Policy
Author(s) -
Kawasaki Kenichi
Publication year - 2004
Publication title -
international journal of japanese sociology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.133
H-Index - 15
eISSN - 1475-6781
pISSN - 0918-7545
DOI - 10.1111/j.1475-6781.2004.00051.x
Subject(s) - hegemony , the arts , globalization , cultural hegemony , cultural policy , independence (probability theory) , government (linguistics) , political science , cultural diversity , cultural industry , development economics , political economy , sociology , economy , economics , politics , linguistics , statistics , philosophy , mathematics , law
Singapore had been called a Cultural Desert since its independence in 1965, but from the beginning of 1990s, there has been a significant change. The Singapore Government started to call their city a “Global City for the Arts”, making numerous cultural policy changes. They also worked on various cultural experiments to establish their cultural leadership or hegemony among Association of South East Asian Nations (ASEAN) countries. The development of arts policies, cultural industries and people's positive commitment towards cultural exchanges are examples of this change. Singapore therefore is now playing the role of the cultural hub among the ASEAN countries. As an example of this, the present study discusses “Esplanade”, which opened as a huge cultural complex in October 2002. Then the paper will also discuss both bright and dark sides of the cultural development in Singapore. As a conclusion, this paper discusses the possibility of the cultural contribution of Singapore to ASEAN countries, in spite of having serious epistemological discontinuity among ASEAN.