Versatility and continuity in the songs of thrushes Turdus spp.

A relationship between continuity and versatility was proposed by Hartshorne as a general feature of song organization in birds and argued to be linked to the avoidance of habituation (the monotony threshold principle). Thrushes of the genus Turdus vary greatly in song repertoire size, from the Redwing with a single song phrase to the Song Thrush which normally possesses well over 100 (Table 1), so that this group is well suited to looking for such a relationship. Recordings of 14 Turdus species were used to do so. Species in which successive songs do differ were indeed found to sing with shorter intervals between songs, though no equivalent relationship was found at the level of individual sound elements. There was a suggestion that species might fall into two contrasting groups without intermediates, one with continuous and highly varied songs and the other with discrete and simple songs. It is suggested that the relationship between continuity and versatility is a real phemomenon but that it is unlikely to be explained in the way that Hartshorne proposed. More likely is the hypothesis that continuous and varied songs have evolved primarily as mate attractants through sexual selection, while the principal role of discrete and simple songs is in communication between males.