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Visual culture in Brazil's First Republic (1889–1930): allegories and elite discourse
Author(s) -
SALGUEIRO VALÉRIA
Publication year - 2006
Publication title -
nations and nationalism
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.655
H-Index - 44
eISSN - 1469-8129
pISSN - 1354-5078
DOI - 10.1111/j.1469-8129.2006.00239.x
Subject(s) - elite , parliament , representation (politics) , architecture , visual culture , sculpture , government (linguistics) , identity (music) , period (music) , sociology , visual arts , history , aesthetics , political science , art , law , politics , linguistics , philosophy
ABSTRACT. The research on which the present work is based analyses the ornamentation of the façades of major Brazilian public buildings and investigates how that representation contributed to the construction of a visual national identity during Brazil's First Republic (1889–1930). Two government buildings are discussed: Pedro Ernesto Palace, inaugurated in 1923 to house the municipal chamber of Rio de Janeiro, and Tiradentes Palace, erected in the years 1922–26 to house Brazil's Parliament. The article focuses on the allegorical figures ornamenting these two buildings in order to explore contradictory aspects of the discourse they convey. It will be argued that visual culture, more precisely architecture and architectural sculpture, served the elites of this period as a powerful tool for projecting their values and for preventing contradictions within Brazilian society from emerging in visual terms.