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THE RECEPTION OF DIONYSIUS IN TWENTIETH‐CENTURY EASTERN ORTHODOXY
Author(s) -
GAVRILYUK PAUL L.
Publication year - 2008
Publication title -
modern theology
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.144
H-Index - 19
eISSN - 1468-0025
pISSN - 0266-7177
DOI - 10.1111/j.1468-0025.2008.00495.x
Subject(s) - philosophy , irony , mysticism , orthodoxy , narrative , theology , identity (music) , byzantine architecture , literature , art , classics , aesthetics , linguistics
This essay surveys diverse interpretations of the CD by twentieth‐century Eastern Orthodox theologians. This essay argues that the evaluation of Dionysius' contribution crucially depends upon the master narrative within which the CD is considered. For example, for Vladimir Lossky, Dionysius' apophaticism was the “dogmatic ground” of Byzantine mystical theology, whereas according to John Meyendorff, Dionysius' theology was in need of a “Christological corrective” later provided in the theologies of Maximus the Confessor and Gregory Palamas. The points of contact and contrast between Dionysian mystical theology and Russian sophiology are also discussed. Finally, this essay argues that modern Orthodox readings of the CD are characterized by a profound irony: while they are in various degrees indebted to the Western intellectual tradition (as, for example, Christos Yannaras is to Heidegger), Orthodox theologians often use Dionysius to forge an anti‐Western Orthodox theological identity.