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M artin L uther's Use of Rhetorical Masks for J ews, Princes, Clerics, and other Enemies: The Problem of Meaning in a Post Modern Age
Author(s) -
Cole Richard Glenn
Publication year - 2013
Publication title -
journal of religious history
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.117
H-Index - 13
eISSN - 1467-9809
pISSN - 0022-4227
DOI - 10.1111/j.1467-9809.2013.01222.x
Subject(s) - rhetorical question , elitism , meaning (existential) , context (archaeology) , period (music) , politics , rhetorical device , aesthetics , omen , sociology , literature , history , epistemology , philosophy , art , law , political science , archaeology
In modern times, there is a common widespread and common misunderstanding of M artin L uther's views on J ews, P easants, C lergy, W omen, and P rinces. An analysis of L uther's rhetorical use of “masks” as metaphors will help us understand that he was not the father of anti‐ S emitism, or of political and social elitism. The purpose of this article is to explore and understand L uther's rhetorical intent in the context of early modern G erman culture. The central thesis of this article is that M artin L uther may have had in his use of rhetorical masks in his public discourse a hidden communicative strategy. Often his masks involved vulgar, crude, and violent words in his attempt to stimulate and persuade public opinion. Does language have consistent long‐term meaning regardless of context? M ichael G iesecke, a p rofessor of G erman linguistics, correctly argues that each cultural period develops its own ways of triadic perception that involves thinking, acting, and communicating. New ways of processing information as we now see in the electronic revolution holds true in the cultural shift in the sixteenth century fostered by the printing press. The new medium of printed works forces a new way of thinking in every affected age. Our problem is to understand the “new way.”

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