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New Democracy and Alternative Culture: Jazz in West Germany after the Second World War
Author(s) -
Kater Michael H.
Publication year - 2006
Publication title -
australian journal of politics and history
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.123
H-Index - 23
eISSN - 1467-8497
pISSN - 0004-9522
DOI - 10.1111/j.1467-8497.2005.00413.x
Subject(s) - jazz , americanization , democracy , german , appeal , history , nazism , german culture , political science , economic history , art history , law , politics , archaeology
The American Forces who occupied Germany in 1945–46 had hoped that popularising jazz music might assist in the redemocratisation of Germans under the age of thirty. The Amerika‐Häuser established by the US State Department to build a cultural foundation for democracy amongst younger Germans, and American Forces Network radio each contributed to the gradual emergence of a West German jazz culture which was marked by a series of jazz festivals and the development of a viable recording industry. However most strata of German society neither understood nor cared about jazz. Jazz became confused with — and diluted by — rock ‘n’ roll. Both were rejected as unwanted “Americanization”. Fewer than ten percent of teenagers acquired any taste for jazz. Its appeal was confined to the more privileged and educated. Hence the jazz culture which did recruit itself from the surviving remnants of the Third Reich did not provide an impetus toward democracy.