Premium
WINSLOW HOMER AND THE MECHANICS OF VISUAL DEADPAN
Author(s) -
GREENHILL JENNIFER A.
Publication year - 2009
Publication title -
art history
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.1
H-Index - 19
eISSN - 1467-8365
pISSN - 0141-6790
DOI - 10.1111/j.1467-8365.2009.00671.x
Subject(s) - comics , spanish civil war , painting , period (music) , comic strip , world war ii , art , art history , performance art , history , visual arts , literature , aesthetics , archaeology
This essay argues for the central importance of the ‘gag’ to Winslow Homer's early paintings, made during the American Civil War. As his entrée into the New York art world in these years Homer creates a form of visual deadpan that spoke to the ‘comical and coffinly’ circumstances of the war, resonated with the methods of the period's controversial platform comedians, and answered the critical call for a ‘higher sort of humor’ that moved beyond the antics of the antebellum comic mode of the 1850s.