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The effects of intense sound exposure on phase locking in the chick ( Gallus domesticus ) cochlear nerve
Author(s) -
Furman Adam C.,
Avissar Michael,
Saunders James C.
Publication year - 2006
Publication title -
european journal of neuroscience
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 1.346
H-Index - 206
eISSN - 1460-9568
pISSN - 0953-816X
DOI - 10.1111/j.1460-9568.2006.05068.x
Subject(s) - audiology , stimulus (psychology) , sound exposure , chemistry , medicine , psychology , physics , acoustics , sound (geography) , psychotherapist
Little is known about changes that occur to phase locking in the auditory nerve following exposure to intense and damaging levels of sound. The present study evaluated synchronization in the discharge patterns of cochlear nerve units collected from two groups of young chicks ( Gallus domesticus ), one shortly after removal from an exposure to a 120‐dB, 900‐Hz pure tone for 48 h and the other from a group of non‐exposed control animals. Spontaneous activity, the characteristic frequency (CF), CF threshold and a phase‐locked peri‐stimulus time histogram were obtained for every unit in each group. Vector strength and temporal dispersion were calculated from these peri‐stimulus time histograms, and plotted against the unit's CF. All parameters of unit responses were then compared between control and exposed units. The results in exposed units revealed that CF thresholds were elevated by 30–35 dB whereas spontaneous activity declined by 24%. In both control and exposed units a high degree of synchronization was observed in the low frequencies. The level of synchronization above approximately 0.5 kHz then systematically declined. The vector strengths in units recorded shortly after removal from the exposure were identical to those seen in control chicks. The deterioration in discharge activity of exposed units, seen in CF threshold and spontaneous activity, contrasted with the total absence of any overstimulation effect on synchronization. This suggested that synchronization arises from mechanisms unscathed by the acoustic trauma induced by the exposure.