Disney World as Structure and Symbol: Re‐Creation of the American Experience

It has been said that the Disney theme parks are the cities America wishes it had; immune to death and taxes, clean, orderly, crime‐free family style environments of optimism and nostalgia, politically independent, with the advantages but few of the vices of real cities. Treatments of the amusement park in political terms, such as Michael Harrington's Atlantic article, “To the disney Station,” while invariably critical, indicate the important position these places have attained as complex institutions in themselves—living commentaries on society at Large, as well as important standard‐setters for new social, political and economic philosophy for planning and control in all sectors of national life. In this way, Disney's worlds—and parks built under their influence—have come to be viewed as societies in miniature, reliable images of work, leisure, human relations and politics in the larger world outside. Here anthropologist David Johnson uses morphology as the key to discerning the meanings of these prototype parks for basic cultural values in many aspects, including work, class, economic order, technology, individualism, history, and cross‐cultural adventure. In fact, these Disney versions have now themselves become a special mode of first‐hand experience in the repertoire of the great national shared experience.