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RACE AND ANIMAL‐BREEDING: A HYBRIDIZED HISTORIOGRAPHY
Author(s) -
ZELINGER AMIR
Publication year - 2019
Publication title -
history and theory
Language(s) - English
Resource type - Journals
SCImago Journal Rank - 0.169
H-Index - 41
eISSN - 1468-2303
pISSN - 0018-2656
DOI - 10.1111/hith.12122
Subject(s) - historiography , narrative , race (biology) , eugenics , human animal , perspective (graphical) , aesthetics , sociology , environmental ethics , history , livestock , gender studies , epistemology , genealogy , political science , literature , ecology , biology , law , art , philosophy , archaeology , visual arts
Because it associates animals with one of the most vital topics in human history, the historiography of the cross‐connections between race and animal‐breeding is at once controversial and inspiring. This article wishes to position this historiography in a more systematic framework than has been done thus far by examining both its merits and failings along with the more and less appropriate ways to write on the subject. The article identifies two main narratives in race–animal‐breeding historiography: the influence narrative and the projection narrative . The first reveals how perceptions of animal breeds and livestock‐breeding practices influenced the rise of racialist and eugenic worldviews. By contrast, the second shows how conceptualizations of human racial segregation contributed to the construction of ideas about the subdivision of domestic animal species into different breeds. The article argues that despite the projection narrative's inherent anthropomorphism, this perspective renders it possible to draft a nonanthropocentric history of the cross‐connections between race and animal‐breeding with a focus on human–animal relations rather than on human society.

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